Logan is the Superhero Movie We’ve All Been Waiting For

We’ve suffered through a few rough installments of the X-Men series, and frankly, we’ve been suffering through a lot of superhero movies that blatantly ripped apart character development or spat in the face of canon all for the sake of the Big Audience. Blockbuster movies have been a staple of the superhero/sci-fi/fantasy genre for decades, and for many viewers, the predictable plot lines, deaths for shock value, and poor application of special effects, editing, or cinematography have made the movie-going experience a little stale. But we’ll go because we love the genre, and the production houses know it.

Last year, Fox Studios was backed into a corner when it released Deadpool, a rated R superhero (antihero) movie that featured sex, cursing, and more bloody murders than any red suit could conceal. It was a hilarious punch in the face to movie execs who swore that the superhero movie’s target audience was the PG-13 crowd, and it couldn’t be a success if there wasn’t the opportunity to market the movie to the whole family and pump out some serious merchandise for kiddos to gobble up.

What Deadpool did for the genre in terms of shaking things up, Logan has taken a step further by doing the unexpected. Going a step in another direction, Michael Green, David James Kelly, and James Mangold present a grim character-driven film that does what X-Men has always (or should have) done – presented the audience with interesting characters, a social commentary that is culturally relevant, and questions that stay with them when the lights go up.

Logan is a lightly-played prophetic dystopia of what feels like a very realistic future. It drives into the heart of society, of Logan and Charles Xavier, and of our own humanity while posing questions about personal autonomy. Mangold’s story has depth without exposition, and paired with John Mathieson’s eye for shooting compelling scenes, Logan is a beautiful film – something that most superhero movies can’t claim. There’s action, explosions, and all the other traditional action fodder that audiences eat up, but it’s done in a way that is compelling. There were moments while watching I was captivated by stunts and choreography that I hadn’t seen before. And even better, Logan doesn’t guarantee anyone’s safety; there’s no sense of the hero shall prevail. Instead, the audience is in the moment, not sure whether or not anyone will make it to the next day. There’s no nightmare to wake up from, and everything will not be okay.

Beyond the outstanding visuals and somber story, the acting of Sir Patrick Stewart, Hugh Jackman, and Dafne Keene (who we should all most certainly watch) was superb. Perhaps there was more body to the script than previous movies, but Logan simply stands out from the performances of previous installments. The supporting cast, including Orange is the New Black‘s Elizabeth Rodriguez, Boyd Holbrook, Stephen Merchant, and Eriq La Salle, is excellent as well, seamlessly adding to the dynamic of the narrative.

At this point, I don’t have any criticisms of the film – the questions left unanswered aren’t truly relevant to appreciating the story we were given. There was drama, humor, action, and meta-references that actually prove to aid the story and aren’t a standalone prop for fans to point and smile at. To top off the already deep satisfaction of the film’s ending, Johnny Cash’s “The Man Comes Around” plays us off in a fitting tribute to the title character.  Hopefully the success of this film leads to more R-rated, character driven flicks that do these characters and their stories justice. These movies don’t have to be guys and gals in spandex who never curse; take these characters and ground them in reality and you still have an extremely compelling story to tell, both through narrative and visually.

Geeks Who Drink host successful “Supernatural” quiz night in Colorado

This was an awesome event – definitely recommend finding a Geeks Who Drink trivia night near you! Two of my GISHWHES team members participated in Portland and took first place there.

Nerd Alert News

20161026_203128 Geeks Who Drink host successful “Supernatural” quiz night in Colorado, Photo credit to Colleen Bement

20161026_191738 Geeks Who Drink host successful “Supernatural” quiz night in Colorado, Photo credit to Colleen Bement

The ultimate quizmasters, Geeks Who Drink scored once again with a “Supernatural” themed night. “Hunters” descended upon the Kline’s Beer Hall in Arvada, CO Oct. 26, 2016 ready to rock. Pencils in hand and clever brains filled with trivia, these fans came enthusiastic and ready to complete. This month’s Geeks Who Drink quiz night was called “Pudding! A Supernatural Quiz” and the event was a huge success. Flannel shirts and beige trench coats were the clothes to wear that night. One adorable fan came as a Castiel/Hogwarts crossover, and one super tall guy came as “season one Sam” and just nailed it! Even one of the quiz hosts was quite a lovely Abaddon, complete with a pseudo slit…

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How You Gish

Every year for the past four years I’ve dedicated a week of my life to competing in the Greatest International Scavenger Hunt the World Has Ever Seen (gishwhes), which is even bigger and weirder than it sounds. It was started by Misha Collins, actor on CW’s Supernatural and co-founder of Random Acts, a non-profit organization that ensures anyone, regardless of financial situation, can help make the world a better place. Gishwhes is based off of the University of Chicago scavenger hunt, which Collins participated in while attending the university – except bigger and weirder, of course. For a week in August, fifteen people in teams all around the world come together to produce creative content and accomplish tasks in an escapade of breaking social norms, pushing their own boundaries, and spreading kindness. In either competitive or for-fun teams, members try to conquer a list of over 150 items asking for photo or video evidence of someone on the team accomplishing the task. Winners join Collins for a fun excursion abroad; previous winners have gone to a castle in Scotland and sailed on a pirate ship on the coast of Croatia, and this year’s winners will be headed to Iceland. Every year the bar is raised higher for quality of items, and even celebrities are in on it – whether they know it or not.

I always look forward to this week of sleep deprived creative insanity, but this year was remarkably different. Every year, gishwhes has given me something; whether it be a new appreciation for sleep or new friends that have become my extended family, gishwhes has always been a highlight of the year. I’ve never ended a hunt and felt as if I was done playing this annual melee of creativity and boundary-pushing weirdness for good, but besides coming off a three-year stint captaining a for-fun team to join a competitive team as a regular member, this year felt special.

I loved captaining a for-fun team. We always welcomed first timers who wanted to try out gishwhes without feeling as if they were bringing down a highly competitive team with inexperience, testing the waters to see if this absurd event was something that they would want to take a week out of their year to seriously compete. I had a wonderful time, met great people, and was blown away by things my team and others could come up with or would be willing to do, but there were some down sides. For every amazing, hard working team member who made the hunt worth doing every year, there were no-shows, people who didn’t mesh with the rest of the team, or bad attitudes. After trying to run a team while in the middle of moving in 2015 and experiencing a run of bad luck with my lovely teammates dealing with personal catastrophes (2015 was a bad luck year for us, and I still send giant hugs to my team for coming through despite the multiple acts of god standing in their way), I just needed a break. I hated to think that I had gotten so frustrated by the process of dealing with items that needed to be completed last minute and people taking up a space on the team and contributing nothing that I didn’t even want to participate anymore – even though I had so many great for-fun team members. I needed something different to reinvigorate my love of the hunt, and I knew the first step was stepping away from the stresses of captaining a team.

While I was debating on how I was going to even do the hunt, or if I wanted to at that point, a friend and team member from the previous year messaged me to say she was starting a competitive team. The timing felt perfect, so I meekly asked, “Can I join?” It was quite possibly the best decision I’ve made in all my years as a gisher. Taking a cue from a few of my captaining tactics and stepping it up with some serious organization, Chandra went above and beyond prior to the hunt to make sure we knew each other and who was capable of what. And it turned out that our team meshed incredibly well together. We were all crass, either quietly or overtly, and had more nsfw conversations than necessary – which is kind of perfect. Everyone on our team was the perfect balance of competitive and super chill, serious and fun, shy and completely perverted, extremely talented and resourceful. We all-capsed at each other, laughed our asses off, and decided before the hunt actually started that those who could were going to meet up at a Supernatural convention in Seattle next April. Keep in mind that I’ve done this for four years and have great friends that have come out of gishwhes, but there was something about this group  in particular that clicked so incredibly well. Every member, even those that joined at the last minute, folded into the cool kids club. We were awesome. We were trash. We were going to Iceland.

team photo

Our team from L-R starting from the top: Cookie, Christy, Ash, Kai, Steph, Alison, Maddie, Chandra, Danitra, Nicky, Raelee, Janet, Nat, Melissa, and Jess

The 2016 hunt was from July 30th through August 6th. Team TrashBrigade consisted of our captain Chandra, team mom Janet, Melissa, Jessica, Maddie, Cookie, Danitra, Christy, Kai, Nicky, Nat, Alison, Steph, Raelee, and me (Ash). Chandra was the best captain a gisher could ask for. Not only was she supportive and deferred to the team for decision making, she pushed herself to the brink of sanity (never speak of the lutefisk), working with Janet, Melissa, and Jessica (all of which I cannot say enough about) to completely slay a huge amount of items, starting off day one strong by stumbling upon an abandoned train and obtaining a Victorian dress for an item I thought would be hard (classic dumb-Ash). Kai blew us away with her artistic abilities and gave Misha’s mom an honorary TrashBrigade member certificate. Christy did some charity work and created an all-holiday family dinner that rivaled The Last Supper in awesomeness. Nat was so in it that she had to keep herself from berating people at work for talking to her about things that weren’t gishwhes-related and made it onto the news. Maddie, on top of items like sewing cabbage into a cheerleading outfit, uploaded and submitted the completed items at the end of the day. Alison drove over an hour last-minute to have a tea party dressed as a teabag in a teacup ride. Raelee and Stephanie were too sweet and adorable for words, knocking items out left and right. Nicky jogged on an airport walkway, helped wrangle items and organization with Maddie and Nat, and understood twitter better than all of us. Danitra had a birthday party for herself, complete with cake, on a New York subway train. Cookie is a photoshop master, which we knew going in, so she took Matt Cohen’s abs on vacation in the best ways possible. And with my friend Mercy, who flew up to Colorado from Texas to keep me company the first few days of the hunt, I claimed Pikes Peak for gishwhes. I can’t say enough good things about these ladies. I mean, I could, but you would be like, “Okay Ash, we get it! You love them! Moving on!” 

Majority of our team – eight members – were first-time gishers. With such little experience, you wouldn’t expect the quality of items produced and sheer number of items completed. I thought being on a competitive team would be stressful, but as the gish-clock ticked down, I went to bed early for the first time. I wasn’t up at the last minute trying to scrape something together. I was relaxed and felt confident that we had done an amazing job. All fifteen of our members were highly active, kept connected through chat and our facebook group, and worked together to get the best possible item for our team to submit. We cheered each other, stepped up when things weren’t working out, and had so much fun.

Ending this year’s hunt, I can say that this was a completely different experience than I was expecting. Going in, I was nervous and wasn’t sure what to do because I wasn’t running a team. Then I realized what a whole team can accomplish – something I hope my awesome teammates from previous years found in their hunt this year. We’re all exhausted, but we’re still finding ways to make each other laugh in our group chat and putting together bloopers of our mishaps (gishaps?). After seeing what we produced, the good we put out into the world, and with how close our team still is after all the madness, all I can think is this is how you gish.

Ghostbusters is Just Awesome Fun

I was witness to some pretty wonderful things this week, and some not so wonderful things. But that’s nothing new; between my outdoor excursions and having access to the internet, I’m exposed to a great deal of what humanity has to offer, which unfortunately includes some pretty disappointing things.  This week, I’m glad to say that Ghostbusters was not one of them. 

It’s hard to put aside personal feelings and expectations when seeing a highly publicized movie. The backlash began as soon as the all-female cast for the reboot of the 1984 and 1989 films was announced. This was unsurprising, considering the outrage over the direction and focus of George Miller’s Mad Max: Fury Road, an amazing reboot that won six Academy Awards and broke barriers in the film industry. An impressive feat of writing and cinematography (as well as every other aspect of the film), Mad Max: Fury Road did great things for the female audience. Misogynists came out of the woodwork again for Ghostbusters, this time throwing a fit even bigger than the ones they threw over Fury Road and The Force Awakens (I patiently await the epic Star Wars tantrum to continue after Rogue One releases in December). Although done in a completely different genre in a completely different way, Ghostbusters managed to give female movie-goers a taste of how females can be positively portrayed in movies as, to the shock of everyone, human beings. 

I know it sounds like I’m reaching, but let’s break this down. Given the usual movie tropes, what do we normally see out of female characters? The reason the Bechdel test (the bare minimum that any human can ask for re: female characters interacting with each other) and the Mako Mori Test (the bare minimum that any human can ask for re: a female character’s existence and development) are even a thing is that there are so few films that manage to produce female characters and stories that treat them as people with their own ambitions. The Ghostbusters reboot is exactly that – a reboot. It’s its own entity, and the mistake many members of the potential audience made going in was that it would be the female embodiment of the original. Instead of going that route, Sony produced a film that was fun, smart, and entertaining. It wasn’t as raunchy as some may have expected, which was a somewhat pleasant change of pace but may have been disappointing for some viewers, which is so far the only reasonable complaint I’ve heard of the movie as a whole. The most notable thing about the comedy in Ghostbusters was that it didn’t rely on exploiting female sexuality, jokes about the actresses sizes, or any of the other go-to devices used when targeting a male audience. Melissa McCarthy’s character Abby Yates doesn’t receive any jokes about her weight or eating food – a breath of fresh air that may seem like a little thing, but in a body-shaming culture where overweight women are the butt of jokes and are made to feel as if they can’t even eat in public without qualifying it, it really is a big deal. Patty Tolan, played by SNL’s Leslie Jones, isn’t subject to jokes about her size either – 6ft tall to McCarthy’s just over 5ft frame – and is valued for her knowledge of the city as well as her positive “let’s do this” attitude. Kristen Wiig’s character Erin Gilbert is a bit of an unfashionable and awkward academic, but ambitious and earnest. She’s the only one swooning over the idiotic eye-candy Kevin, played by Chris Hemsworth, who the others don’t find attractive (looks aren’t everything – sorry fellas) and are reluctant to hire. Kate McKinnon’s character Jillian Holtzmann is phenomenal in every way, and gay (also representative of the phenomenal part). The women are smart and don’t qualify their intelligence by attributing to their fathers. They eat without talking about having to hit the gym later. There’s no romantic subplot (Erin’s attraction to Kevin is shown through awkward interaction that isn’t romantic – or rudely done). And the biggest sexual draw in the movie turns out to not be Hemsworth’s character Kevin, but McKinnon’s Holtzmann – the weirdly sexy engineer who in any other movie might just be “the young, cute, odd one”.

ghostbusters

Look at these nerds doin’ WORK.

The best part? None of this is shoved in the audience’s face. It’s just part of the story. Not once in the movie do you have to pause and digest the point being made – it’s simply integrated into the film. Amazing. Finally. In 2016.

In the end, Ghostbusters is a fun movie perfect for the end of summer, full of cameos from original cast members and nods to the original films while creating something new. Unfortunately the innovative aspect of realistic comedic storytelling the script provides will go unnoticed to those who don’t experience misrepresentation or marginalization. Bottom line: the film doesn’t deserve any of the hate it has received. Ironically, the loudest outcries against well-written female content come the same people who already have decades of well-written representation in media – and are vehemently against anyone pointing it out. Outspoken fans of female-driven media are sent hate through social media, threatened with doxxing, rape, or death, and recently actress Leslie Jones was besieged with racist and misogynistic tweets that caused her to take a break from social media. It seems that this Ghostbusters reboot is necessary, not only to organically show the audience what they’re saying about women in film in terms of presenting how female characters can be written in comedy, but also to reveal the vicious nature of misogynistic fan culture. Maybe it’s fitting that the villains in the most bitched about films with female characters (Fury Road, The Force Awakens, and Ghostbusters) are all power hungry white dudes who, oh so shockingly, get really pissed when women stand up to them (#NotAllWhiteMaleVillains). 

Whether it turns out to break even in the international box office market or not (numbers watched carefully by those who are excited to call the movie a failure), Ghostbusters is a fun movie worth your time and money. Especially if you have kids. The hate that has hovered over this movie since the beginning has been unnecessary, with added complaints ranging from ruining someone’s childhood to crying reverse-sexism with Kevin’s dumb-blonde inept secretarial character. Feels like I’ve seen that before though…. It seems like some salty fans and critics just need to go pet a dog. Or actually just settle in and enjoy a movie instead of looking for every reason to tear it down.

Weak Storytelling and Mishaps for Marvel

I received an ask on my tumblr asking me if I saw that Steve Rogers was now and always has been Hydra according to new canon. I’m angry enough about this topic to come out of my hiatus to rant.

I’m completely and utterly disappointed in this “new twist” on the Captain America canon, essentially rewriting everything that came before it. This move falls into the [does something dramatic and controversial for shock value] arena of poor writing. I know it’s poor writing, because I’ve written a plot twist in a novel and questioned it every day since. Luckily, the novel isn’t available and I can rewrite my mistakes, and the character isn’t a beloved symbol of good and an example of humble greatness.

The new development was discussed in an interview with Marvel executive editor Tom Brevoort by TIME magazine. Marvel writer Nick Spencer apparently pitched the idea, and for the 75th anniversary of our man Steve, there was to be a shocking twist: a good guy was actually a member of a Nazi-adjacent evil organization. This whole time?! This whole time. But why is this a bad thing? From the the representation the character has and how beloved he is, to the concept and timing, it’s bad all around. It’s a recycled story line; they already did this with Ward in Agents of S.H.I.E.L.D. and with the S.H.I.E.L.D./Hydra agents in Winter Soldier. It’s a concept for the character that is neither compelling or coherent in thought. Like the killing characters off for shock value trope that has become a tiring staple, this twist is no longer a twist or a continuation of established canon – it’s awkward, offensive, and kind of fucked up. Some people simply don’t care and don’t understand why the outrage. Their response is shrug, big deal, it’ll be forgotten in a few months, but the reaction of people who love the character has been a resounding Fuck This, and I’m obviously in this camp.

[Note: I’m most definitely not in the send death threats to the writer camp either – please don’t do that. That’s more than unhelpful, does not prove any point, and is wrong. Steve Rogers would be ashamed of you.]

Why is this fictional character’s negative characterization so upsetting to me? Just his week, I explained to my oldest what “Hail Hydra” meant and why I didn’t want to hear him saying it again. He actually hung his head in shame the second I mentioned the link from Hydra to the Nazi party, and he’s only ten. He understands Nazi atrocities and what they represent. I hugged him and reassured him that he wasn’t in trouble, and that sometimes we do things we don’t know are offensive because we don’t know the meaning. When you do know the negative meaning of something, whether a symbol or phrase or action, and still perpetuate it,  then you’re an asshole. To hit me a little harder in the gut, I have been hand-painting a Captain America shirt and making a shield for my youngest’s Cap cosplay for Denver Comic Con. He’s eight, and Steve Rogers is his hero. So yeah, it does feel personal.

If this isn’t some bad idea for publicity gone incredibly wrong, it’s an amateurish, gimmicky plot twist that weakens the Marvel brand – a poor move, especially with the MCU being where it is right now. As fans are begging for female driven comics and diversity, excited about Black Panther coming to the big screen, and questioning why the Captain Marvel movie keeps getting pushed back while slipping in yet another Spider-Man reboot and an Ant-Man sequel (but we’re getting the Wasp so…), this only adds to the negativity regarding actions the profit-driven studio heads (i.e. the “women don’t sell toysIron Man 3 fiasco). Creating outrage on social media by disappointing fans equals dollars right? And that’s why we’re here…right? #WeWin.

If they’re doing this story line to avoid Captain America going after the Big Bad of the world at the moment (ISIS) like he was created to do with Hitler, that’s weak. I’m sure if that’s the angle, they would argue that it would cause greater Islamophobia (despite the fact that intelligent people realize that Muslims do not equate to ISIS and the same could be said for the first installments of Cap back in ’41), but how is Steve Rogers being on the side of the anti-semitic Hydra helpful at all when you have a xenophobic “leader” like Donald Trump running for president? Steve Rogers was created by Jewish men (Joe Simon and Jack Kirby) to fight Nazis. He controversially punched Hitler in the jaw before the United States even entered World War II. He questioned his government and its overreaching practices over the years. He is an example of what it means to be on the side that tries to do what’s morally right despite opposition – whether that is internal struggles or fighting against a world power vying for domination and promoting genocide – and to want what’s best for the people of a nation you love.

As the daughter of a Veteran, the wife of a Veteran, and a Veteran myself, patriotism has been gently instilled in me since I was a child, so I know how much a patriotic character with a moral compass means to kids – and how horrible it is to see the needless destruction of heroes when we so desperately need goodness. A rough lesson in how not all “good guys” are great men is one thing; taking a hero like Steve Rogers and making him Hydra – on the 75th anniversary of his creation, close to Memorial Day, and during Jewish American Heritage Month –  is frankly gross.  Watch the special that recounts the history of the character and how people feel about Steve Rogers and tell me this Steve is Hydra! story is a remotely good idea, let alone makes sense for the character, whether in the comics or in the cinematic universe.

Steve Rogers being Hydra goes against everything that the character was created for and fought against for his 75 years of existence. This feels not only like bad writing and poor creative choices, but like a terrible publicity stunt that is working – it’s certainly got everybody talking.

TL;DR – Making a ‘Steve Rogers is Hydra’ story line is utter bullshit, but that’s just one fan’s insignificant opinion.

Review: Batman Vs Superman

It was interesting watching the fans split after Batman Vs Superman‘s opening weekend and the continuing arguments over whether or not the film performed well. With worldwide sales nearing $700 million after its second weekend and owning the slot as the fifth top-grossing opening for a superhero movie, it’s hard to say it was a failure – but people still are.

Warning: Spoilers for Batman Vs Superman below.

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Ashley Wallis, Sagacity, Serene Guipahgo, Original Characters

Sagacity

Over this hiatus I’ve done a lot of art therapy for fun. I’m not an artist by any stretch, but I do enjoy making things, however good or bad I am at it. I’ve worked up graphics for my portfolio, applied to jobs, and actually done no writing. It was kind of nice to have my brain not overworking itself creating something for a moment. But then the Youngest wanted help in creating a superhero for Pop Culture Classroom’s contest at Denver Comic Con. He was really interested, but his attention strayed because…he’s eight. We decided to work on our separate computers on the Marvel website to create a base for a character that we would design and come up with a backstory for, and hopefully end with a comic.

While his mind wandered to something else, I found myself consumed over the past 36 hours with creating this character. I’ve never felt so desperate to make a character happen. Of course I have no idea how to go about making her come to life because she fits into a universe that is established and copyrighted, but here she is.

Disclaimer: None of the Marvel characters or groups listed below are my intellectual property and I have no rights to them. The character that is my intellectual property, including appearance and personality, is Serene Guipahgo (Sagacity). @ Marvel – Hire me. 

Meet Serene.

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Mad Max, Fury Road

Mad Max: Fury Road kills the Oscars

While the Oscars predilection for genre films, let alone science fiction, has been non-existent, last night George Miller’s Mad Max: Fury Road performed exceptionally well. One of two sci-fi film nominees for Best Picture, Fury Road (alongside The Martian) joins only a handful of films of this genre to have been recognized by the Academy. The film didn’t win the arguably deserved Best Picture despite a worldwide box office of over $370 million, but it did take home awards for Sound Mixing, Sound Editing, Film Editing, Production Design, Makeup, and Costume Design – more awards than any other film nominated this year.

But why was its nomination for Best Picture so important? Take a look at the cast and the so-called controversy surrounding the film. As soon as the film was described as a feminist, the backlash began. Max doesn’t speak much during the film, but that makes his presence and actions even more pronounced, and Tom Hardy‘s performance was outstanding. The women featured prominently in the film include an amputee as well as actresses from different nationalities/racial backgrounds and various ages. Charlize Theron commands respect brings the importance of the overall plot to the audience through her character, Imperator Furiosa. The women at the center of the film (portrayed by Zoë KravitzRosie Huntington-WhiteleyRiley KeoughAbbey Lee, and Courtney Eatonare sex slaves escaping the Citadel and the nightmare of Immortan Joe (Mad Max alum Hugh Keays-Byrne). The War Boys that work alongside Furiosa trust her in a way that regards her position with a tremendous trust prior to her betrayal that isn’t overtly obvious to the audience – and that’s the point.

In the end, the arguments of why the film isn’t feminist are unsurprisingly reasons why the film is feminist. The chastity belts the women have locked around them are toothed, threatening to put any potential rapist in peril – but these were placed by a man who wanted to save the raping privileges for himself. The women are owned, kept captive, raped, and called “breeders”, and this denotation is purposeful in the storytelling as the mantra of the movie is We Are Not Things. The weak arguments of a feminist story being shoved down the throats of the Mad Max franchise’s fans doesn’t hold up, and the efforts Miller made in creating a story that was compelling and included female narratives was deserving of the Best Picture nomination – not because there were women, but because it was a great film. The movies, while centered around Max, have always been about the people he interacts with more so than him specifically, and the continuity of specific moments over the course of the films such as Max trying to retrieve his belongings (jacket, boot, his iconic V8 Interceptor) and the fallible shotgun shells and weapons jams were perfection. The War Boys and their worshiping the V8 was a great addition, and Nicholas Hoult‘s Nux was an interesting and wonderful character for the Mad Max universe. The story, visuals, editing, choreography, special and physical effects, and the sound were all outstanding, and the Academy served the film well with the nominations and awards it received. If only it could have received the award it deserved – Best Picture.

Can I buy the Deadpool team a round?

There have been a few comic characters that have consistently stood out to me as being hands down perfectly imperfect and absolutely awesome. While my love for other characters may seem to waver in intensity (and I always have a writer or two I’ll favor over others when it comes to characterization), my love for Deadpool has been steadfast since I picked up the comic a couple years ago – but my adoration for Wade Wilson is nothing compared to that of Ryan Reynolds’.

The beauty of the Deadpool movie is the passion that went into making it. The utter relentlessness and tenacity it took to get this thing made is fucking inspirational. Reynolds took the phrase “if you want something done right, do it yourself” and ran with it, while writers Rhett Reese and Paul Wernick (give these guys a raise) took an amalgamation of characteristics from various Deadpool writers’ take on Wilson over the past twenty-five years to create this awesome cinematic version that is true to the comics. Tim Miller’s vision for the movie and insistence on Deadpool being pansexual made me want to pull a Macho Man Randy Savage Oooooh yeah! and punch a straight white boy whining about Deadpool’s non-existent heterosexuality in the face. I was already sold at the leaked footage, but with the genius marketing team (and Reynolds himself) pushing Fox Studios to the point that those who weren’t completely sold on the profitability of the NSFW style of super hero were probably suffering from stomach ulcers and anxiety, I knew walking in that I was not going to be disappointed – and that’s an amazing feat when it comes to Fox Studio superhero films. The X-Men franchise is one that I always have high hopes for and am slightly disappointed with if not entirely upset that I didn’t spend the time writing crack fiction instead. This time, Fox got it right – thanks to a creative team fighting the studio for Wade the entire way. Honestly, they should be thanking the pains in the ass that kept fighting for this movie to be made for all the heartache.

deadpool, deadpool movie

Deadpool, Fox Studios 2016

The movie that resulted was a visually pleasing, crass, in-character, fourth wall-breaking ride that had the entire theater laughing. I’ve never been in a theater with so many pleased audience members – except maybe the morons that let their children sweet talk them into taking them to see the R-rated “super hero” flick – which was R-rated for a hundred different reasons, as it should have been; if Deadpool hadn’t been R-rated, it would have been untrue to the character and a disappointment with fans. Thankfully, it wasn’t PG-13’d down. It was oddly refreshing and appropriate to hear “Fuck fuck fucking shitfuck!” coming from the speakers. As for the cinematic elements, even though there were amazingly violent visuals that were on par with the comics, we weren’t overwhelmed with special effects. Other than Colossus and the instances of Angel Dust’s landing and Negasonic Teenage Warhead using her powers, the only obvious special effects sequence is also one that had a lot of physical effects – the road and bridge scene we saw in the leaked footage and the trailers. 

Ultimately, this movie came down to the characters and the story. When it comes to character background, I’ve always leaned toward Marvel because of how much I’m invested in their personal narrative. Whether it’s Avengers or S.H.I.E.L.D. agents or Agent Peggy Carter – these characters have stories that are begging to be told and the audience wants to hear, which is obvious with the film and television franchises. Deadpool’s success is notable not only because of the R-rated content, ingenuity of marketing, and unique storytelling that matched wits with the source content, but because of the characters. Had the characters been watered down in either humor or tragedy, this movie wouldn’t have been a success, let alone a record breaking one. In an interview with Forbes magazine, Rhett Reese said that the success of the movie showed “how much people really love character above special effects”, and this is especially true with comic book fans. We love the explosions and fights, but fuck if we don’t love the characters above all else, which the Deadpool team brought in force. Being accurate when it comes to a character and providing an interesting story doesn’t have to involve $100 million in special effects, dramatically and inaccurately killing off a character for shock effect, or laser eyes. Critics are saying this is a game-changer in the super hero movie genre, and I sincerely hope it is. The family-friendly movies are great, but when the opportunity is there to create a movie for adults, why not take it? Sure, there’s not a lot of marketing opportunity for the toy aisle at Target, but I’m sure the adult market will make up for it. Maybe this will finally be the dick waving in the face of the studios that makes them realize it.